noble savage. NEXT.
jesus this is so problematic on practically a word-by-word level.
[ . . . PREVIOUSLY ON . . . ]
jesus this is so problematic on practically a word-by-word level.
(Source: lefunyon)
“It’s an aesthetic judgement as much as anything else,” he [the mole] explained, looking up. “Partly a moral one, of course.”
He would sell his London house: he had decided. Back there under the awning, crouching beside the cigarette machine, waiting for the cloudburst to end, he had taken this grave decision. Property values in London had risen out of proportion; he had heard it from every side. Good. He would sell and with a part of the proceeds buy a cottage in the Cotswolds. Burford? Too much traffic. Steeple Aston— that was a place. He would set up as a mild eccentric, discursive, withdrawn, but possessing one or two lovable habits such as muttering to himself as he bumbled along the pavements. Out of date, perhaps, but who wasn’t these days? Out of date, but loyal to his own time.
[Tinker Tailor Soldier Spy]
Too much traffic in Mos Eisley more like.
The Pope’s Butler is arrested: “a scandal plagued tax haven”! [pic cred.]
The scene is stunning in its portrayal of Hannah’s narcissism, but it also shows Dunham’s complete unawareness that her privilege lies in her ability to dramatize disease, starvation, and sexual degradation as forms of liberation.
Eleanor Roosevelt and Marian Anderson in Japan, May 22, 1953
(Fourteen years after then-First Lady Roosevelt’s historic resignation letter in support of Anderson.)
that’s some miyazaki shit right there. (check out big versions here!)
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themed by Adam Lloyd.